Questionmark-Exclamation Theatre

It's the last weekend to hear "I've Been Thinking About Vanishing" by Julia Lederer, and access all the wonderful streaming content The Toronto Fringe's Community Booster. It'll be up through Sunday (January 31st). https://fringetoronto.com/community-booster/audio-offerings

REALITY THEATRE, a QuestionMark-Exclamation Theatre production at the 2017 SummerWorks Performance Festival, is currently having an amazing Chicago premiere with Trap Door Theatre. Congratulations!

Tonight at 8:15pm is your final chance to catch U-R-U at Next Stage Theatre Festival before it closes! Don't miss your chance to be a part of the Robot Revolution--and don't forget to stick around after the show for our talkback with Kimberly Colburn about new play development models in both Canada and the US!

Breaking U-R-U news! For the final performance of U-R-U at Next Stage Theatre Festival, the role of "Dominator" will be played by Celia Green. We're so pleased to have Celia return to the world of U-R-U after having played "Dominator" during a workshop production at Humber College in 2017. Celia is a queer creator, performer and choreographer based in Toronto. Her work has been supported by P.A.R.T.S in Brussels, Belgium, Stone Boat Farm artist centre in Lanark County, Ontari...o, and the Paprika Festival. As an actor and dancer she has performed in works at Soulpepper Theatre Company, Mirvish Productions, The McMichael Canadian Art Collection, and Nuit Blanche Toronto. Training includes workshops with transdisciplinary arts organization La Pocha Nostra, Kaeja d'Dance, and the P.A.R.T.S summer school in contemporary dance. Her first full length work, WAH WAH WAH, was recently presented at the SummerWorks Performance Festival, where she was awarded The Theatre Centre’s Emerging Artist Award, and at the Wildside Festival in Montreal. Celia is part of the 2020 Emerging Creator's Unit cohort at Buddies In Bad Times Theatre. See more

After the final performance of U-R-U at Next Stage Theatre Festival on Thursday night at 8:15pm, we will be hosting a talkback facilitated by Kimberly Colburn all about new play development in Canada and the US. Kimberly is a freelance dramaturg and producer, based in Toronto. Previously, she was South Coast Repertory’s literary director. Recent dramaturgical work at SCR includes the world premiere productions of Poor Yella Rednecks by Qui Nguyen, A Doll’s House Part 2 by Luc...as Hnath and Little Black Shadows by Kemp Powers. Formerly, she was literary manager at Actors Theatre of Louisville, where she was dramaturg for the world premieres of Partners by Dorothy Fortenberry and The Roommate by Jen Silverman, among others. Other world premiere projects include Bekah Brunstetter’s Going to a Place, José Cruz González’s The Long Road Today, Matthew Lopez’s Zoey’s Perfect Wedding, Zoe Kazan’s Trudy and Max in Love and A Wrinkle in Time adapted by John Glore, among dozens of other productions, workshops and readings. She has worked with companies including Denver Theatre Company, Los Angeles Opera, Mixed Blood Theatre Company, The Playwrights' Center, the Eugene O’Neill Playwrights Conference, Oregon Contemporary Theatre, Critical Mass Ensemble, Artists at Play and Native Voices at the Autry. http://theatrekimberly.com/

It's the last weekend to hear "I've Been Thinking About Vanishing" by Julia Lederer, and access all the wonderful streaming content The Toronto Fringe's Community Booster. It'll be up through Sunday (January 31st). https://fringetoronto.com/community-booster/audio-offerings

Something new to listen to and read. For Convergence Theatre's COVID Commissions, Small Adjustments (for smaller spaces) is a short piece by Julia Lederer, read by the wonderful Michela Cannon. https://www.julialederer.ca/small-adjustments

REALITY THEATRE, a QuestionMark-Exclamation Theatre production at the 2017 SummerWorks Performance Festival, is currently having an amazing Chicago premiere with Trap Door Theatre. Congratulations!

Tonight at 8:15pm is your final chance to catch U-R-U at Next Stage Theatre Festival before it closes! Don't miss your chance to be a part of the Robot Revolution--and don't forget to stick around after the show for our talkback with Kimberly Colburn about new play development models in both Canada and the US!

Breaking U-R-U news! For the final performance of U-R-U at Next Stage Theatre Festival, the role of "Dominator" will be played by Celia Green. We're so pleased to have Celia return to the world of U-R-U after having played "Dominator" during a workshop production at Humber College in 2017. Celia is a queer creator, performer and choreographer based in Toronto. Her work has been supported by P.A.R.T.S in Brussels, Belgium, Stone Boat Farm artist centre in Lanark County, Ontari...o, and the Paprika Festival. As an actor and dancer she has performed in works at Soulpepper Theatre Company, Mirvish Productions, The McMichael Canadian Art Collection, and Nuit Blanche Toronto. Training includes workshops with transdisciplinary arts organization La Pocha Nostra, Kaeja d'Dance, and the P.A.R.T.S summer school in contemporary dance. Her first full length work, WAH WAH WAH, was recently presented at the SummerWorks Performance Festival, where she was awarded The Theatre Centre’s Emerging Artist Award, and at the Wildside Festival in Montreal. Celia is part of the 2020 Emerging Creator's Unit cohort at Buddies In Bad Times Theatre. See more

After the final performance of U-R-U at Next Stage Theatre Festival on Thursday night at 8:15pm, we will be hosting a talkback facilitated by Kimberly Colburn all about new play development in Canada and the US. Kimberly is a freelance dramaturg and producer, based in Toronto. Previously, she was South Coast Repertory’s literary director. Recent dramaturgical work at SCR includes the world premiere productions of Poor Yella Rednecks by Qui Nguyen, A Doll’s House Part 2 by Luc...as Hnath and Little Black Shadows by Kemp Powers. Formerly, she was literary manager at Actors Theatre of Louisville, where she was dramaturg for the world premieres of Partners by Dorothy Fortenberry and The Roommate by Jen Silverman, among others. Other world premiere projects include Bekah Brunstetter’s Going to a Place, José Cruz González’s The Long Road Today, Matthew Lopez’s Zoey’s Perfect Wedding, Zoe Kazan’s Trudy and Max in Love and A Wrinkle in Time adapted by John Glore, among dozens of other productions, workshops and readings. She has worked with companies including Denver Theatre Company, Los Angeles Opera, Mixed Blood Theatre Company, The Playwrights' Center, the Eugene O’Neill Playwrights Conference, Oregon Contemporary Theatre, Critical Mass Ensemble, Artists at Play and Native Voices at the Autry. http://theatrekimberly.com/